JASON MATTHEW LEE, 2015, Welded payphones, magnets, payphone dust, duct tape, small mammal trap, thud magazine, 53 × 19 × 30cm
Alex Da Corte, Dead Ringer, Anodized metal frames, Plexiglass sprat, digitally printed poplin, sequin pins, foam, velvet, hardware, 143 × 142 cm
Tatjana Danneberg, happy and unlucky, 2017, Alabaster plaster, bone glue, pigments, berg lass, epoxy glue, styrodur, polyurethane foam, slaked lime, stainless steel, 135 × 130 × 25 cm
Alex De Corte, Ender, 2017, Anodized mental frames, plexiglass, spray paint, digitally printed pollen, sequin pins, foam, velvet, hardware , 142.24 × 142.24 × 5.08 cm
Right : Jana Euler, deviceless 2, 2015, Acrylic on canvas, 200 × 150 cm
Right : Cy Gavin, Reclining Nude ( Nel-lie De Costa Smith ), 2017, Acrylic and oil on denim, 218.44 × 160.02 cm
Rob Thom, Drone, 2005, Oil on linen stretched over board, 120 × 180 cm
Sven Loven, I never gave you my all because I never knew if i would get it back, 2017, Acrylic on canvas, 213.50 × 229 cm
Sean Landers, Νάρκισσος [Narcissus, 1993, Single channel video, display dimensions : 00:37:13
Oliver Laric, Hunter and Dog, 2014, Resin, Pigment, 90 65.60 × 5.50 cm
Floor: Caroline Mesquite, The plane Wing ( The Young Business Man & The Little Prince), 2017, Oxridized, brass, resin, 173 × 30 × 17 cm and 135 × 135 × 55 cm
Caroline Mesquita, Detail View
Left: Athena Papadopoulos, Thong, Throngs and Hose Beasts, 2016, Hair dye, lipstick, nails polish, bleach, image transfer, thread and pins on a bed sheet over canvas, 210 × 200 cm Right : Nicholas Cheveldave, 2016, photolaminate, acrylic, paper, friendship bracelets, hemp and metal canvas, 203 × 200 cm
Samara Scott, Still Life VII, 2015, Carpet, household paint, spray paint, metal frame, 480 × 300 × 80 cm
Kenrik Olai Kaarstein, A Monsieur Who Cares, 2017, Lacquer, vinyl paint, acrylic mediums, soft pastels, oil pastels, charcoals, tissue paper, varnish on canvas, 250 × 215 cm
Henrik Olai Kaarstein, General David Petraeus in his New Power Suit, 2015, Mixed Media on cardboard, 215 × 115 cm
Brian Belott, Untitled, 2016, Mixed Media on canvas, signed on verso, 217 × 191.80 × 12.70 cm
Michael Fullerton, Estee Lauder Advertisement, Print media, late 90's , 2017, Oil on linen, 45 × 35 cm
Michael Fullerton, Concept for a Nautical Themed Lockheed Martin Advertisement , 2017 , 45 × 35 cm
Caroline Mesquite, The Mechanic, 2017, Oxidized brass, resin, 121 × 69 × 97 cm
Henry Hudson, Self Deconstruction #2 Pride, 2017, Plasticine on Aluminium board, 120 × 95 cm
Left : Use Henneken, Pather, 2016, Oil on canvas, 124h × 110w cm Right: Caroline Mesquite, The Teenager, 2017, Oxridized brand, Resin, 148 × 58 × 77 cm
Caroline Mesquite, The Teenager, 2017, Oxridized brand, Resin, 148 × 58 × 77 cm
Magnus Andersen, Something Forever, Forever Somthing , 2016, Acrylic on Canvas, handmade frame, 180 × 135 cm
Left : Magnus Andersen, Something Forever, Forever Somthing , 2016, Acrylic on Canvas, handmade frame, 180 × 135 cm, Right: Magnus Anderson , Karl Kraus, 2017, Oil on canvas, wood, 75 × 85 cm
Left: Stuart Middleton, Umtitled, 2013, Acrylic and ink on paper, 100 × 65 cm
Jason Mathew Lee, BFP:xxx, magnets, ballbearings, on cut and welded payphone, 53 × 20 × 24 cm
Jason Mathew Lee, BFP:xxx, magnets, ballbearings, on cut and welded payphone, 53 × 20 × 24 cm
Jason Mathew Lee, BFP:xxx, magnets, ballbearings, on cut and welded payphone, 53 × 20 × 24 cm
Jimmy Merris, Untitled ( Room 2 ), 2017, Oil on Board, artists frame, 124.50 × 83.80 cm
Erik Parker, For Sure, 2017, Acrylic and collage on canvas, 187.80 × 213.30 cm
Left: Austin Ledd, Goodbye, 2017, Acrylic on canvas, 213.36 × 152.40 cm Right: Debo Eilers, Rattleback, 2016, Acrylic marker, paper, canvas, enamel, vinyl wire, aluminium, urethane, plexiglass, epoxy, 236.20h × 90.20 cm
Jonas Wood, Installation View
Right: Jonas Wood, Jerry Turner, 2009, Gouache and coloured pencil on paper 35.50 × 25.50 cm Left: Jonas Wood, Pete Vuckovich, 2009, Gouache and coloured pencil on paper, 35.50 × 25.50 cm
Arron Banks, 2017, Oil on Linen, 34 × 26 cm
Ed Kay, Indifferent Gherkin II, 2017, oil on canvas, 45 × 35 cm
Ed Kay, Indifferent Gherkin III, 2017, Oil on canvas, 45 × 35 cm
Ed Kay, Indifferent Gherkin 1, 2017, Oil on canvas, 45 × 35 cm
Gina Beavers, Pop Lips ( Four Views ), 2017, Acrylics on canvas on panel with the wood frame, 78.74 × 78.74 cm
Ry Rocklen, Gap Stripes, 2016, Porcelain, 38.10 × 27.90 cm
Wang Jinsong, 1998, Three Angle Space, Acrylic colour and Gouache on yuan paper, 72 × 82 cm
Djordje Ozbolt, 96 Degrees in the Shade, 61 × 81 cm
Tobias Spichtig Installation View
Left: Tobias Spichtig, Can somebody kill the princess please? , 2016, Textile, resin, metal, 150 × 50 × 70 cm Centre Wall: Tobias Spichtig, Theresa, 2016, Inkjet print and oil and canvas, 120 × 100 cm Right Wall: Tobias Spichtig, Earth , Oil and C-print on canvas, 160 × 125 cm
Tobias Spichtig, Earth , Oil and C-print on canvas, 160 × 125 cm
Henning Hamilton - Installation View
Henning Hamilton - Installation View
Henning Hamiltion - Installtion Veiw
Hanning Hamilton, ANIM-ALIA(2) , 2016, Debris, 120 × 120 × 33 cm
Henning Hamilton, EUROPEA NA(20) , 2016, Debris, 66 × 30 cm
Henning Hamilton, EUROPEA NA(24), 2016, Debris, 70 × 20 cm
Henning Hamilton, UL-TRAMAR-IN(8) , 2016, Debris, 100 × 33 cm
Henning Hamilton, UL-TRAMAR-IN(9), 2016, Debris, 95 × 25 × 20 cm
Henning Hamilton, EUROPEANA(22), 2016, 44 × 20 cm
Henning Hamilton, EUROPEANA(21), 2016, Debris, 105 × 75 cm
Henning Hamilton, EUROPEANA(26), 2016, Debris, 135 × 28 cm
Taocheng Wang, Pracitice of portrait Op. 5, 2011, Water colour, acrylic, pencil, mineral colour , tea, white wine, aluminium, stamp on refined rice paper mounted on raw rice paper, 33.50 × 67.70 cm