David Ostrowski

03.04.2019
Installation View with: F (table), 2019, acrylic, lacquer and paper on canvas, wood, 31 × 41 cm & F (stairway), 2019, acrylic, lacquer and cotton on canvas, wood, 241 × 191 cm
Installation View with: F (pillar), 2019, acrylic, lacquer and permanent marker on canvas, 40 × 30 cm & F (stairway), 2019, acrylic, lacquer and cotton on canvas, wood, 241 × 191 cm
Installation View with: F (window), 2018, lacquer on cotton and frame, 103 × 73 cm & F (door), 2010, acrylic and lacquer on cardboard, 78 × 39.70 cm
Installation View, F (stairway), 2019, acrylic, lacquer and cotton on canvas, wood , 241 × 191 cm
Installation View, F (Jet Grill), 2013, acrylic and lacquer on canvas, wood, 241 × 191 cm

Exhibition Text

David Ostrowski

Interior and Furniture works from 2010 – 2019

David Ostrowski (*1981) lives and works in Cologne. Ostrowski studied at the Kunstakademie Düsseldorf with Albert Oehlen from 2004–2009. He was awarded the Atelierstipendium by the Kölnischer Kunstverein and the Imhoff-Stiftung, Cologne, in 2012. Upcoming solo exhibitions, Political Correction at Piece Unique, Cologne and Sundogs, Paris. Recent solo exhibitions include Bei mir geht es in den Keller hoch at Blueproject Foundation, Barcelona (2017), The Third Mind (a three man show with Jean-Marie Appriou and Anthony Linell) at Carl Kostyál in Stockholm (2017), To Lose (a two man show with Michail Pirgelis) at the Leopold-Hoesch-Museum, Düren (2016), The F Word at the ARKEN Museum, Copenhagen, and I want to die forever at Kunstraum Innsbruck (both 2015), as well as How to do things left at Rubell Family Collection, Miami and Just do it at the Fondazione Sandretto Re Rebaudengo, Turin (both 2014). Ostrowski’s work has also been included in group exhibitions at the M Woods Museum, Beijing (2015) and at Carl Kostyál in Stockholm (The Medium of Intensity, 2013-2014), Halle für Kunst & Medien, Graz (2014), and at the ICA, London (2014). Ostrowski’s work also featured in DONT the Music and Art Performance at Halle 9 Kirowwerk, Leipzig (2017).